nice price deal !!! the follow up to his genre-fusing debut, >no charisma<, sees martin kemp with his boney little fingers firmly on the weird switch. best described as sounding >like carl craig making uk funky<, our martin is way darker than that bloke off eastenders, and here lies the proof … djs showing love include alex nut, joy orbison, zomby, jackmaster, ross allen, untold, brodinski, hessle audio and geiom.

peder mannerfelt supplies four jams fashioned out of his own exceptional live show at the festival. raw, unsoftened, brutely analog sound from an ems synthi aks punctures space in an oddly futuristic rhythmic experiment, gesturing at a brand new way of thinking about electronic music. the cuts are also packaged in a special 12” featuring artwork based on his own breathtaking live audio- visual show.

nice price deal !!! the first jagoo records, a part of the event & booking agency jagoo events, from stuttgart, is from steve nash (jena, haiti groove). bluffer ep is a cool and groovy four tracker ep, with tracks for different tastes. every track works on his own way. check the steve is feeling valencia mix! jan iwanitz, part of andomat3000 & jan, from cadenza and morris audio, did together with robert wagner a tricky remix of bluffer. check! supported by matt star, mathias kaden, sven uk, savas pascalidis, ziel100, fernanda diaz!!!

die offizielle wiederveröffentlichung des dub klassikers “big showdown” ist als 2lp-edition mit poster (60x60 cm) erhältlich! die aufnahmen des originalalbums (“scientist versus prince jammy”) von 1980 finden sich auf der ersten lp, sie wurden mit den musikern der roots radics in bestbesetzung im channel one studio eingespielt und im king tubby studio abgemischt. für jeweils fünf dub-mixe saßen hopeton overton brown, besser bekannt als scientist (tracks a1, a3, a5, b2, b4) und lloyd james aka prince jammy (tracks a2, a4, b1, b3, b5) an den reglern. für die produktion zeichnete henry junjo lawes verantwortlich, der auch die idee hatte den musikalischen wettkampf von jah thomas als mc moderieren zu lassen. auf der zweiten lp finden sich die dazugehörigen versionen der sänger, vertreten durch barrington levy. für dieses herausragende re-issue projekt wurde die top-adresse, was audio-mastering in europa angeht, die firma soundmasters in london, engagiert. das dazugehörige artwork von tony mcdermott hat bis heute nichts an seiner faszination verloren.

die offizielle wiederveröffentlichung des dub-klassikers -scientist - heavyweight dub champion- ist als 2lp-edition mit poster (60x60 cm) erhältlich! die aufnahmen des originalalbums von 1980 finden sich auf der ersten lp - sie wurden mit den musikern der roots radics in bestbesetzung im channel one studio eingespielt und im king tubby studio abgemischt, am mischpult saß dabei hopeton overton brown, besser bekannt als scientist. für die produktion zeichnete henry junjo lawes verantwortlich. auf der zweiten lp finden sich die dazugehörigen versionen der sänger, vertreten durch barrington levy. für dieses herausragende re-issue projekt wurde die top-adresse, was audio-mastering in europa angeht, die firma soundmasters in london, engagiert. das dazugehörige artwork von tony mcdermott hat bis heute nichts an seiner faszination verloren.

belgian producer alix depauw is probably best known for his long-running association with shogun audio, where he started out making drum & bass and eventually moved towards halftime and other sounds inspired by soul and r&b. he’s also collaborated on experimental bass music with eprom under the name shades. the first ep on his new 1985 music imprint, elephant dreams, is a four-tracker from depauw himself and reportedly marks a return to his drum & bass roots. it also features two collaborations with skeptical.

der irische produzent und dj space dimension controller - bekannt von veröffentlichungen auf r&s, clone oder royal oak - veröffentlicht ende juli sein albumprojekt “orange melamine” auf ninja tune. darauf enthalten sind produktionen, die er 2008 im alter von gerade 18 jahren in seinem schlafzimmer in belfast bastelte. knackig, zerstreut und angenehm merkwürdig - “orange melamine” ist ein mit viel liebe produziertes und sehr persönliches album, das übernatürliche sounds und durchscheinende synthies mit einem gefühl von überquellender harmonie verwebt. das album bezieht seine inspiration aus alten vhs-tapes, die er von seinen brüdern und cousins bekam, sowie von künstlern wie boards of canada, brian eno oder william basinski. das album ist außerdem reich an audio- und filmreferenzen aus sci-fi filmen und animationen aus den 80er und 90er jahren. die palette reicht von streifen wie the guyver, short circuit, the gobots und ghostbusters bis hin zu the fifth element, escape from new york oder den power rangers. das doppel-vinyl erscheint im klappcover inklusive downloadcode.

since 1987, frak have been everyone s favourite, premier swedish synthesizer-touching weirdos. even if most people hadn t heard of them until 4 years ago. and yet, world of frak is as long as it is wide. as blue as it is black. as ominous as it is glorious. as dirty as it is hairdryer. sweet it is as yellow paper as. all of the above is a perfect example of how trying to convey what frak is in the crass form of words is ultimately fruitless. here is a double 12inch vinyl product from ultimate hits featuring eight audio recordings from frak: three men who have known each other since at least 1987. the sleeve was lovingly hand screen-printed at the studio of house of traps, and features the colours commonly known as pink and black.

180g vinyl, original release date: 1972 - this reissue: 2016 genuine reissue from the original audio sources, new analog transfer and improved mastering, pressed on black heavy vinyl. file under: psychedelic, rock

the table has been set and guests have arrived: it’s time for fresh meat’s when bad people cook good food vol. 4. this limited edition vinyl sampler features three tracks from the full length digital album. the record leads with derrick carter, dubbing out alexander east’s “jest 4 me” into a signature boompty romp. on a2, audio soul project takes a swing at remixing chris udoh’s “ready for you-, shuffling and strengthening the groove that supports the invigorated vocal. the entire b-side belongs to david duriez who marries acid motifs to the tidy, bustling frame of san france disco’s “bringing back sweat to the dancefloor” for even sweatier times. this three track ep is mastered by lawrie at curve pusher, london - who’s been busy lately putting his magic touch on music for artists like damian lazarus, jamie jones, and wolf + lamb. each copy of the vinyl sampler for when bad people cook good food vol. 4 comes with a download code for the full 16 track digital album. this latest fresh meat is a veritable feast of sleek and buoyant house music that can enjoyed over several sittings or in one cohesive (and delightfully gluttonous) meal.

fancy humans leigh morgan has been knocking around a while, running urban torque recordings for the best part of a decade throughout the naughties. having reached a satisfactory level of noodle shinnery on his baldy bonce, he has put down the scalp polish and finally started making music. project pickle is his second solo ep. project pickle includes three original tracks, nailing his colours to the mast, dilly of a pickle begins with a clear indication of pickle preference, pie on the sly the accompanying dish, and almost champion a nod to the ultimate disappointment in food related release punnery. we asked chocky to come on board for remix duties, once he d told us which was his favourite pickle, his answer we ll take to our graves. chocky has been winning plaudits for his deep dubby jazzy grooves through artful division, nature soul music, roots for bloom and audio parallax etc, and here he s on great form with, er, a deep dubby jazzy re-imaging, lovely stuff.

honoring the roots and wires of detroits 909 and 303 sounds, flavio folco blends elements of hip-hop, electro, breakbeat techno, futuristic soul and funk music committed to the edge of post-acid house styles. an audio injection into the body-mind as we wave through the polyrhythmic ensemble of molecular beats and crisscrossed percussive patterns. on remix duty deadbeat who needs no introduction, and indigo raw ’s mirus.

four raw acid cuts created and performed live by lithuanian producer, audrius vaitiekunas also known as ijo. the artwork image was generated by feeding audio signal through a custom built analog video synthesiser by london based artist and designer tom jef.

underground slick yet daring chicago veteran emcee gilead7 of the windy city super collective tomorrow kings has completed yet another audio diamond to accompany the already existing brilliance of his nationally and internationally distributed collection of uniquely-created albums. known and respected by his scattered international cult following for not only his record collaborations and stage sharing with everyone from vast aire and a.g. but also his sonically experimental and lyrically razor-edged abrasive -art rap- for over 12 years, gilead has etched an indelible place for himself in indie hip-hop, combining aggressive universe creation and quirky nerdom in ways that only he could pull off

the berlin-based producer is kicking off his label with a four-track single. while he is perhaps not as name-checked as some of the hardware hawking house heads of modern times, arttu snellman has been working hard at gritty box jams for a good few years now. he first appeared under his arttu guise in 2011 with the nuclear funk and fear diluted singles on royal oak and philpot respectively, and then proceeded to wheel out tunes for 4 lux and chiwax over the ensuing years. prior to the tough-edged pump of his current ventures, you could find snellman indulging in a more laptop-centric kind of practice under the name lump. this more minimalistic, glitchy house fodder could be found on labels such as karloff, morris/audio and süd electronic amongst many others. back in the here and now though, arttu was last spotted on clone jack for daze earlier this year with the rave dogz 12”, and next up he’s taking matters into his own hands. existing fans of arttu will be more than pleased with the heavyweight, crunchy tackle that inhabits cyblo01. this is dynamic business with same heft found on previous releases from snellman, mixed in with the cheeky flair that has always marked his productions out in a crowded marketplace.

u has always displayed an unironic conformity to his own absolutely genuine/occasionally challenging ideal as to what a release should entail. after a series of predominantly, and (in the most loving sense) maybe begrudgingly, dance floor oriented eps, vienna orchestra is a long overdue insight into his core fascination as a musician, making complex and intriguing experimental pieces that belie the humble mode of their creation, recording from vinyl records and manipulating the audio on old school samplers. this lp is an insight into scores of hours of twiddling with loops and sequences to create music far removed from its source material (dusty classical records acquired on a trip to vienna). this is a dense, blunted world, which holds the sound of a musician indulging their own ear’s obsessions and insatiable curiosity.

adjunct audio is proud to announce the release of the new apendics.shuffle album aware sequence found life. here we have the asfl limited 12inch album companion, this is a special release for the vinyl freaks!2 hard heavy hitting spaced-out dance floor gems touching space feat. kelly johnston on vocals & sunburned tears feat. kenneth james gibson himself on vocals. sender records boss benno blome remixes the albums intro dark outlines into a trippy vinyl-only late night slammer. also included is the albums outro piece which is a perfect ambient mix tool!

fresh blood on robsoul and more sunshine fueled house for the summer floors from rising stars iban montoro and jazzman wax. its been a busy year for the duo, who have not only launched their own moodyhouse recordings label, but also completed and signed their debut album to mark farina’s great lakes audio imprint. an ep for kerri chandler’s madhouse records and projects in the works with barbara tucker and joi cardwell are all setting 2016 up to be a busy and bumper year for the boys from barcelona. their rock skate ep for robsoul is a perfect snapshot of the sample-heavy feel good-vibe vibe that the boys present in their own performances. four block rocking cuts that will have us grooving, grinding and rolling. so lace up and get dancing.

from his early days in 90s collective kmd to his reinvention as a masked supervillain leading the indie hip-hop revolution, mf doom has consistently pushed the boundaries of hip-hop in new and unexpected directions.
this is the special blends vol. 1 & 2 standard 2xlp vinyl format.

fresh release. release fresh. fresh release. release fresh. you can adapt to styles - or you make styles adapt to you. this question creative is answered within the process of making. we are allowed to offer a new bt seleccion on this record. audio per te. un dolce. audio per te. un dolce. shout outs to the french touch: music wouldnt be the same without you! if you have a voice why not use it? big ben: there can only be one bell towers!

newly remastered audio, pressed on heavyweight 180 gram vinyl, download code included.

4 tracks of spaced-out, moody, atmospheric, detroit-techno-style tracks. * verged*, originally released on aesthetic audio (detroit) gets a remix by tangs alter ego, obsolete music technology after being dropped in omts live set in the past year.

world gone wrong (1993) is the 29th bob dylan studio album. it was dylan’s second consecutive collection of only traditional folk songs, performed acoustically with guitar and harmonica. the songs tend to deal with darker and more tragic themes than the previous outing, good as i been to you movlp427. exclusively remastered audio on 180 gram audiophile vinyl.

the good folk at kat records deliver release no. 28 in the shape of a 4 tracker of tasty audio goodness covering disco, boogie, house and a rather splendid leftfield number that defies any form of categorisation! hlb (henri le blanc) is the man behind these and deffo one to keep close tabs on! the a side covers of the disco,house element nicely with thunder and straight up boogie with loves comin. not direct edits, but reversions with elements added to spice up and delight. the flip is a hammond lead beauty with 2 tracks that lean slightly left of centre. country churches is a low slung deep house chugger that really does tease all the way and we finish things off with the ace touch my soul. elements of broken beat, soul and funk with a top vocal hook to set it off.

new york coterie sheik ‘n’ beik line up the next 12” in a string of successful releases including legowelt & xosar under their now defunct xamiga guise, jeffrey scott and label owner rechulski. enlisted for their 7th record is the japan based mister saturday night and 1080p affiliate keita sano. with a strong affinity to analogue sound and old school audio processing, sano renders personal mind-maps in his work - eclectic and off-kilter productions shot-through with warmth and propelled by potent drums. his latest offering for sheik ‘n’ beik is one fans old and new will relish: a series of 4 warped excursions showcasing sano’s refined and idiosyncratic studio techniques. ‘bypass motion’ kicks things off with a fizzing 909 and a loose-limbed bass pattern set churning under brisk, steely atmospheres. dense in the low-end, ‘child’s play’ then follows up with a hard-nosed groove carried by horror-movie sweeps and distant computerised vocals.

archeo recordings is a reissue record label that regenerates old, lost, obscure (and forgotten) rare gems of italian music of the 70s and 80s, and not only. all outputs are licensed by the artists and the vintage labels audio tracks are remastered in their original form, the sleeves and center labels are graphically recreated for today but all based on the original images. archeo would like to make the music available to a wider audience of collectors, djs, music lovers of a forgotten time. all releases are hand-numbered limited edition vinyl. the first 100 copies of each release are pressed in coloured vinyls. this release is individually 500 hand-numbered limited edition. the first 100 copies are pressed on white vinyls (lp ar007).

the debut release from new label, music makes us, comes from prolific producer ekkohaus. a man who needs no introduction with previous releases on the likes of moonharbour, morris audio, circus company, 2020vision and liebe detail. he delivers a blistering 3 track acid tinged ep which kicks off with block parties (dark entry), a driving acid bassline with a great vocal layered on top. -show you saw- on the b-side is a grooving acid house track, whilst the wack finishes off this debut release in syncopated style.

label boss luca agnelli is back home on his etruria with this four tracker ep while working on many collabs with labels such as soma, drumcode, planet rhythm, tiptop audio and more. the ep contains 2 original tracks and 2 amazing remixes by 2000 and one, coming from the banging track kawasaki and hiroaki iizouka lately released by self reflection, theory and tresor. the record starts with biosphere a strong groove with an hypnotic delayed synth bleep topped by a techno synth chord which will blow up your mind. next is 2000 and one remix, the dutch super producer chose to keep that very strong techno synth and layer a solid 909 based beat under it. dance-floor killer, handle with care!

born of introspective in 2010, & mixed & processed for years by fresh meat founder mazi namvar, aka audio soul project. “left there” on the flip is joined by a tevo howard mix that gives the tune solid dance floor footing.

a1 nubian mindz - deep in raves: well known for his versatile and rich production, colin delivers once more. with a quite suitable name - deep in raves is just that. a deep plunge into dark and rave-like atmosphere. after a short intro layered with an ominous voice, massive bassline takes over and drives the track through the darkest curves. enriched with short percussions and a synth stab this is quite a stomper best experienced on a good club soundsystem, preferably in the dark. a2 volster - nebula: almost obsessed with audio purity, volster manages to combine new and modern sounds with old-school genre roots. nebula is all about complexity. although it is based on an electro foundations, it s so much more. space filled with an oscillatory synth motion perplexed with smooth pads that gives the impression of an interstellar properties. no detail is left unengaged, from the 808 that keeps everything in motion to the subtle amount of panning. this is a beautifully crafted story by a producer who is slowly but steadily growing into one of the best croatian artists. b1 lucretio - dracula: the most famed beard of cadoneghe/italy has pulled another magic gem from his music source. widely known for his relentless tendency to push the analogue spectrum to it s extreme, lucretio surprises once more with his ability to blend simple pieces into an effective sub storm with almost comic like features. dracula is not your conventional tune and it s pretty obvious why as soon as you put the needle on. broke down rhythm is heavily fueled by polished but enormous sub background with sparse and ¥in your face¥ shots. seemingly random notes take a gloomy and powerful form during the break and soon the lurky atmosphere comes into picture. this is truly brilliance in it s full simplicity. if only bram stoker could hear this, he would probably be both stunned and amused! b2 james booth - jxst do it: one of our goals on vakum is to be on a lookout for a new and promising talents. berlin based james booth surely fits the bill. jxst do it is a seriously crafted track with rich rhythmic section wrapped in a steady build up. after the initial break-beat intro sliced in short chunks, subtle 303 bassline takes over and the rhythmic game begins. booth delivers a perfectly timed cuts accompanied by a diverse palette of percussions. this is a perfect piece for those build up moments in the club..

the motech label has been building a high reputation of late but it’s actually been three years since co-owner, detroit’s dj 3000 (franki juncaj) released a 12 inch of his own. putting that to rights, he delivers take me away, due for release in april and featuring a deadly remix by truncate. the original version of take me away is a deep and hypnotic builder with a relentless groove that stands astride detroit techno and tough house, a style that dj 3000 has championed over the years. truncate is the alias of audio injection (la’s david flores). his remix ups the tempo and adds an infectious vocal cut-up, turning take me away into a raw, hard-hitting cut. the truncate remix has already been picked up by eats everything for his new fabric mix, out soon, as well as receiving early support from dave clarke on his white noise radio show and ben sims on the october edition of run it red.

when kellerkind published his first tracks on sirion records in 2008, nobody ever considered the success story of marco biagini s alter ego. eight years later he looks back on numerous releases, among others on stil vor talent, flash, katermukke or hive audio. his record debut on sirion in 2012 another breakthrough, with special mention required for the title song “disco on the dancefloor”. it’s with this song that kellerkind has definitely won the hearts of his audience and thus left a lasting aftertaste which continues until today. his fourth ep on sirion with the promising title “way out” builds up on the 2010 published “altro mondo ep”. three reduced techhouse tracks promising pure dancefloor feeling with finely assorted forward directional sound elements and smooth deepness. the slightly hypnotic vocal smasher in christian nielsen remix carries nicely with the three tracks in every way and completes the catalog number 42 elegantly.

lucky light ltd welcomes on board a scottish worldwide recognized producer gary beck from bek audio label. on this release we have garys single *misuse* remixed by uk techno legend mr. mark broom and second remix from label boss speedy. played on bbc radio by techno baron dave clarke!

get ready for another techno bomb on footwork audio by label boss jay lumen!! for this second release jay has created two seriously massive peak time tunes. fusion has that dark and trippy energy by the mixture of the characteristic moog synth and 808 elements. while old machines having more of an old school feel with a deep dub techno basis. on top of that we welcome kaiserdisco to the footwork family. the chart ruling dj/producer duo consisting of patrick buck and frederic berger, created a genius remix with a less is more approach on old machines .

mappamondo (audizione). here is the second pp offering in 2016. coming to you via under the influence. ecco, listen! hysteric has selected and reinterpreted four fine pieces of music. for you to use / try. audio recordings strange and foreign. pleasure for the discjockey. disc for the pleasurejockey. buono semper. semper buono. also included: calcio electro far east danse edition lunapark. arrivederci.

michele mininnis hyper martino ep is a strange adventure in sound, the finest example of music noir and engaging story of audio science fiction. michele hails from south italy and counts everything from post-punk, krautrock to new wave, house and disco amongst his influences. hes been a dj for years but only in 2014 has released his debut tupolev love ep on glasgows optimo trax. he immediately found himself in the spotlight of discerning djs and music collectors alike. after a few months he released another highly acclaimed ep entitled endless ceremony on belgian label curle. and now, after a short hiatus he returns with his latest hyper martino ep radiating oblique and unpredictable sounds. remixes come courtesy of tel aviv’s hit-assembly-line red axes who yet again deliver a bloody good remix, and of a reckless new age traveller, industrial-yoga-trance guru and australian multi culturist dreems.le temps perdu is a new label founded by lemmy caution, a man of mistery, a fan of steal mustangs, robot poetry and otherworldly sounds, well know across the outlands and operating from alphaville. the vinyl release includes a download code.

made 10 years ago in only 2 weeks airport west the rev. thorn s debut lp brings the world of easy listening muzak and chilled out disco. it his second release on his very label dreamtime uk, releasing goldie thorn canal life. after being played heavily in melbourne cafes and bbqs, it now due to make waves across the world. romanticly bitter sweet strings with a vintage disco beat, analog synths on an lp journey to heartbreak and back.

argentinian producer xhei who already released his music on labels such as micro.fon, clr, afu and many more is back with his first ep on nachtstrom, including an amazing remix by christian wunsch (polegroup, tsunami, soma, modularz, faut section). limited clear transparent 12” vinyl.
huge early support by chris liebing, dvs1, oscar mulero, rodhad, len faki, exium, pfirter, damon wild, bas mooy, dj emerson, raiz, truncate (audio injection), drumcell, nihad tule, gayle san, keith carnal, dubfire, paco osuna, henning baer, kyle geiger, thomas heckmann, mtd, hans bouffmyhre ...

eclectic dance music activist simone gatto is set to release his debut album ‚detachment’ on new york based outlet sheik ’n’ beik. the album represents the path of life, the flow of time and the emotions occurring in human beings from their birth to death in an audio & visual experience.

austrian shooting star project niereich was founded in 2010. as dj/live act, producer and label co-owner of audio stimulation recordings he serves as a true multi-purpose weapon. while playing at the biggest in- and outdoor events and his releases being supported by the biggest dj s across the globe, he undoubtedly set his mark on the international dance scene. niereich is known to be rocking as there s no tomorrow. this urban format ep is packed with techno bliss and consists of 3 strong, dark and deep tracks.

amin peck is an electronic studio project, contaminated by the new wave from u.k. like most ’80s electronic bands. amin-peck walked a fine line between disco and minimal wave throughout the course of the early 1980s, oftentimes incorporating shameless pop melodies and avant-garde leanings. amin peck were an italian band leaded by giorgio fioroni (aka george fyron, arrangements, production, vocals) with leonard parker (arrangments, keyboards) and max marne (production). incredible but true, amin peck started as hard rock guitar band in the 70s... and becoming one of the best examples of italo disco. this limited edition it contains full-length versions plus uncut audio material (a2) tracked down during tape restoration. (the first pressing coming from 1982 was pressed only on 7inch in u.k.)

the lddlm edition of the original recordings documents the enduring legacy of this iconic piece of audio history, including the long lost ron hardy edit and a reshape of the edit of ivan smagghe for the first time on vinyl.

on soma ep warszaw based duo mech installs four tracks in the cryptic reduced style of thomas brinkmann’s max/ernst series. the guys deliver an audio work production on resopal that hovers among forms such as techno, minimalism, and ambient. on all four tracks the elements are limited but the output bounces and rattles within - moving and exploring into more experimental zones of minimalism like plastikman, brinkmann, or former mille plateaux. a damn solid four tracker whether you know the math or not.

inmensamente (immensely) is the first vinyl release by lanoche and the first reference on so unreal, a new vinyl-only label based in madrid. this three-track ep opens with two deep house tracks ( te quiero and extasis ) on the a side and closes with the fourteen-minute-long inmensamente on its b side, an atmospheric lo-fi house composition which the ep takes its name from. lanoche is a project where ambient and experimental sounds converge with atmospheric techno and deep house, finding inspiration in the output of labels like mille plateaux, force inc music works, ~scape, faitiche, mule musiq, soul people music, deepblak, deep explorer, finale sessions, aesthetic audio, smallville, dial / laid, underground quality, plan b recordings, dolly, fxhe, echocord, sistrum, strength music, mojuba or something. with inmensamente , lanoche has produced a rare blend of abstraction, introspection and hedonism, carefully distilled into the enticing notes of an underground club sound.

next moe journey comes from kapucci! kicking drums broken rhythms warm and depp sounds on 180gr vinyl with self print cover.

killer ep by these stockholm audio warriors who smash out their 3rd release on the heavy hitting tanstaafl. raw analogue beats for sweating basements around the world.

travelling without moving 1996 intentionally offers more of what jamiroquai does best: highly addictive funky grooves with a social consciousness that is matched by front man jay kays charisma. the third effort of jamiroquai was carried by an inventive video for *virtual insanity*, the albums flagship song.
pressed on two audiophile heavy weight champions packed in a gatefold sleeve, travelling without moving is finally available on vinyl again, this time with remastered audio for maximum aural pleasure!

the mighty voyage return with their 5th release on this ever popular new label. urulu real name taylor freels unleashes his greetings from namek ep this berlin based california boy has recorded for some of world s most respected house labels such as dirt crew, let s play house, needwant shabby doll records, morris audio and his own amadeus print. with an innate talent for sunny, contemplative chords and clever drum programming this ep shows off his blissed dubbed-out club sounds he s become enamoured with while living in berlin, as well as the synth-driven disco and boogie sounds which were a constant in his california upbringing

a family move to germany in the 90s expanded his horizons and musical repertoire but his homebase sound remained the same tech house and techno with groovy rhythms and bang out beats. as an artist, he has released on drumcode, cocoon recordings, soma, intec, bek audio, traumschallplatten, trapez, herzblut and bedrock. his tracks are always a mixture between dancefloor moovers including groovy rhythms and big basslines. mark reeve presents his second release on drumcode, run back, a four track ep crammed with heavy hitting kick drums and his signature big basslines. the dark sounds and heavy textures are typical of reeve and hes showing no sign of slowing down yet. four tracks of brooding techno, this ep is one not to be missed.